In Shit (…) I Forgot (…) Again (…), Carla Vollmers explores the fragility and construction of memory.This group performance combines theoretical research, choreography, and spoken word to make the mechanisms of multi-perspective perception tangible. How is memory created? Which perspectives are handed down, which are made invisible? How does spatial positioning influence what we believe to be truth? The focus is on the tension between individual and collective memories: Memory is not a neutral archive, but is subject to continuous transcripition – it is shaped by social orders, power relations and personal experiences. The work takes up this changeability choreographically…